Duality ( 2020 )

380×1800 mm, set of 4, Cyanotype photography on rice paper

Photographic or painted art creations are often chained to the frame of imagery, the endless pursuit of reality is the core essence of imagery.

Through cyanotype photography, ​Duality ​combines photographs of landscape with ink subjects that are presentational, non-figurative and philosophical. ​Duality ​conveys artist’s interpretation of the contemporary essence of the images and the reality in it, via examining its internal relations.



Shan shui jian II (Stream in the misty mountain II )  2022

Set of 3,  left to right, 510 x 198 mm, 514 x 198 mm , 480 x 201 mm  |   cyanotype photography on rice paper 

 

Shan shui jian (Stream in the misty mountain)  2021

Set of 3,  left to right, 290 x 430 mm ; 310 x 330 mm ; 290 x 430 mm  cyanotype photography on rice paper | commission work

 

UNtitled (2021)

Set of two , 160 x 420 mm, cyanotype photography on rice paper

 

UNtitled (2020)

380 x 950 mm, cyanotype photography on rice paper

 

Invert portrait drawing

The project was initially launched to explore the relationship between photography and drawing in responding to the question ‘what makes photography an art form?’, with inspiration by artist Brian Lai. The inverted approaches, to sketch the portraits in negative that has led to a different observation, as a training process, at the same time photographing the picture with negative film and the final work will be revealed positive only via a scanned image.

 

Personally, the observation of the object would become harder and more challenging for sure, and still, every time I was surprised when I received the final image by looking into the film, it was a funny job to do and hope you enjoy the work as much as I did.  

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still thoughts (2016)

297x 420mm, sketch on paper | 420x 590mm, photography print of 35mm film

 

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